depth perception Cristy, 21, New York City. Hong Kong-Chinese American feminist and believer in social progress. Here, you will find commentary on issues such as racism, feminism, sexism, rape culture, ableism, and classism, interspersed with art, Korean pop culture, and anything I find awesome, cute, pretty, or lovely. Please feel free to message me via my ask box.

(via oneintheblack)

I am a camera with its shutter open,
quite passive, recording, not thinking…
Some day, all this wil have to be
developed, carefully printed, fixed

Christopher Isherwood

(via ji-ah)

cherrylet:

Pictures of @seasquared taking pictures at the Institute of Contemporary Art, one of my favorite places in the city. You can always trust the harbor to look mesmerizing regardless of clouds or sun. The most memorable exhibit was Issac Julien’s Ten Thousand Waves (featuring Maggie Cheung!), a haunting immersion video installation spread across nine projection screens.

notpierrot:

the most unpredictable member @ come to play

(Source: , via transiency-deactivated20120129)

(via lafraisesouri)

(via triniskies)

mirabile-visu:

Yoko.
 
“Maybe I only had a relationship with her as a photographer, not as a partner. If I hadn’t documented her death, both the description of my state of mind and my declaration of love would have been incomplete. I found consolation in unmasking lust and loss, by staging a bitter confrontation between symbols. After Yoko’s death, I didn’t want to photograph anything but life – honestly. Yet every time I pressed the button, I ended up close to death, because to photograph is to stop time. I want to tell you something, listen closely: photography is murder.”
Nobuyoshi Araki

mirabile-visu:

Yoko.

“Maybe I only had a relationship with her as a photographer, not as a partner. If I hadn’t documented her death, both the description of my state of mind and my declaration of love would have been incomplete. I found consolation in unmasking lust and loss, by staging a bitter confrontation between symbols. After Yoko’s death, I didn’t want to photograph anything but life – honestly. Yet every time I pressed the button, I ended up close to death, because to photograph is to stop time. I want to tell you something, listen closely: photography is murder.”

Nobuyoshi Araki

(Source: mirabile---visu, via endashed)

gatekeeper:

I shoot like a girl pendant - found here

gatekeeper:

I shoot like a girl pendant - found here

(via conflictingheart)

obliteratedheart:

 (by Susan Yin)

obliteratedheart:

 (by Susan Yin)

(via zsky)

spaceships:

Life As Cinema
Having traveled everywhere from England and Norway to Iceland and Chile, artist and photographer D. Yee sees life’s cinematic moments wherever he goes. His photos are filled with emotionally powerful imagery but it’s all done in such a way that you never feel as though someone is directing. | via crashinglybeautiful & mmm

spaceships:

Life As Cinema

Having traveled everywhere from England and Norway to Iceland and Chile, artist and photographer D. Yee sees life’s cinematic moments wherever he goes. His photos are filled with emotionally powerful imagery but it’s all done in such a way that you never feel as though someone is directing. | via crashinglybeautiful & mmm

(via ninestories)

Photography takes an instant out of time, altering life by holding it still.
Dorothea Lange (via bitchville)
(via evoke)

(via evoke)

(via evoke)